Handwriting vs. Computers

I’m finishing up my third packet right now, and I need a brake. I discovered where my writer’s block this packet period came from. I usually handwrite my stories, but I have to send typed versions to my mentor (so she can read them). The first packet period, I decided that I didn’t have enough time to handwrite the story and then type it up. So the second packet period, I just wrote straight into the computer.

This period, I found myself procrastinating a lot. I finally realized that I didn’t want to type my story straight into the computer. For one thing, staring at the computer too long hurts my eyes. (That’s one reason I’m so good at typing without looking at the screen. I used to unnerve my friends when they’d come talk to me while I was IMing. I’d finishing typing my IM while looking at them and listening to what they said. Ha ha, okay, I’m done with my sidetrack, and I typed the whole thing without looking!).

For another thing, I don’t like to be stuck at my computer. I like to go outside or sit on the couch or sit at the dining room table. And if I handwrite the draft, I can take it with me when I wait at the doctor’s office and other places. So, I have decided that no matter how much extra time it takes, I just have to handwrite first. Just another aspect of my love/hate relationship with technology.

Annie M.

It’s Weird to See a Backbone Walking Around without Any Other Bones or Flesh

I’m having even more trouble than usual this packet period. I just want to procrastinate so much. I have a story idea in my head, but I can’t flesh it out. I have a couple of characters with very unique qualities that give me the bare bones of a plotline. Not even, really. More like the backbone of a plotline. I can’t figure out where to go from here.

In addition to my inability to get something on the page, I’m having trouble with my reading. I’ve mostly read one craft book this period, The Power of Point of View by Alicia Rasley. Actually, I haven’t even finished it yet. I’ve read a few chapter books and excerpts from other books for POV examples. Maybe its okay if I mostly read craft books this packet since I didn’t read any craft books for my last packet. I got a few books on writing for young people at the library. I need to read those.

I feel kind of lost right now. I think I need to go do something mindless with my hands while listening to rock music. Then maybe I can get this plot to work! Maybe I should draw a picture of my main character. Or do laundry. I need to do that anyway.

Anne M.

From My Point of View . . .

Several people have told me that I need to work on point of view (POV). Most of the people in my workshop told me that I kept switching POV’s. I asked them if they thought maybe I should use a different POV, and they suggested omniscient as opposed to third-person. I tried that only to have my mentor tell me that I have no clue how to write omniscient (not surprising considering I’d never tired it before) and that I wasn’t telling the story from my characters’ points of view.

So, I picked up a book called The Power of Point of View by Alicia Rasley. I like it so far. Actually, I like it better than all of the confusing and conflicting advice that I’ve been getting from other people. I think that I’ve finally figured out what’s going on.

Omniscient POV isn’t trendy right now. First person is the trend. At least half of the readings that I heard at the residency were written in first person. Since this is the case, writers have been telling me that I can’t write in anything but first person or deep third (deep third is basically first person without the “I”). However, I don’t like to read first person very much, so I’m not too fond of writing it. More importantly than that is the fact that only particular stories can be told in first person. Some stories just don’t lend well to a first-person POV.

Just because I like to write stories in non-deep third-person or multiple third-person doesn’t mean that writing that way is wrong. According to Rasley, I can even start a scene in omniscient and then move in to third—something I had been told was taboo. It’s like someone said at the residency (Marion Dane Bauer?). She said that an editor told her she wasn’t a picture book writer when what he really meant was, “This isn’t a picture book.” People have been telling me, “You can’t write light-penetration third,” when maybe they should have said, “Light-penetration third is an okay POV, but you need to work on it. You don’t have a handle on it yet.”

Now, I’m not saying that I don’t have problems with POV; I definitely have some things to work on. Although, I do feel that a lot of my issues have to do with voice and character rather than directly with POV. I have trouble developing character voice, and I have a tendency to remain distant from the story. This affects my POV, but it’s an issue in and of itself.

Anne M.

The Creative Juices are Beginning to Flow, but Slowly

Well, I did it! I wrote a short story focusing on character. I really like it, but we’ll see whether or not my mentor does. It’s a little over 4,900 words. Is that about right for a short story? Since I’ve never really written one before, I have no idea what the range is. I just know that the range is pretty big. I should listen to classical music more. That’s how I got inspiration for this short story.

My problem now is that I have to write about twenty pages of something else. And I’m not sure what. I have a few ideas, but I don’t really know if any of them are good for right now. I’ve never really written in omniscient point of view before. I realized that it would be a good POV for my huge project, so I tried writing my project in omniscient POV for my first packet. My mentor told me it was terrible (which I knew; I’ve never written in omniscient before) and that she didn’t think it was a good idea for my story. Well, I’ve decided to put that project away and force myself to write other things, no matter how painful, but I’d still like to learn how to write omnipresent POV. I’m not sure if I should try that now or save it for another semester.

I also can’t decide what genre in which I’d like to write. Do I want to write something serious or fun? Fantasy or sci-fi? Or do I want to try something different all-together? I had planned on writing an historical fiction piece this fall, but I thought maybe that was too ambitious for a first-semester project (since I’ve never written one before). However, I’m not quite sure what else to write. And the point of this whole program is to learn.

Okay, I’ve breaked long enough. Time to get back to work.


When I finished the rough draft of my science fiction story, I decided to put the story away for awhile and try something else. My something else didn’t make it very far, and I got caught up in college. After about a year, I picked up the story again to polish the first three chapters for my grad school application. About a year or two later, I was finally accepted to graduate school! And then—I realized that I hadn’t written anything (except for polishing those first three chapters) in three years. I’d had writer’s block for longer than some of my classmates have been writing!

I thought that I would work on something completely different while in grad school—ignore my other story completely and go back to it when I have the tools to write it well. The only problem is that I can’t seem to write anything else. Ideas don’t jump out of the woodworks the way they used to. I have to struggle to come up with ideas. I’ve tried starting a couple of stories, but I just can’t get into them. They seem flat, and I have to force myself to keep writing. What happened to my passion? What happened to the days when I just wrote and wrote and wrote and couldn’t wait to wake up the next morning so that I could write some more?

My second packet is due in about two weeks, and I haven’t written anything. I’m supposed to write a short story focusing on character development. I’ve written only about one or two short stories in my life, and they were terrible. I don’t know how to write a short story. And I’m not any good at character development. So where do I start? I have been trying, but nothing’s come. So far, all my graduate school work has been absolutely miserable. I hope I can get into the grove soon.

An Open Gate

A friend once told me, “There will always be an open gate for you.” I have found that gate. I have just begun an intensive two-year program. By the end of these two years, I will have learned how to craft a story that children, young adults, and adults will want to read. This is not what I hope to accomplish. I will accomplish this. That is my promise to myself. Many nights, I will stay up late writing stories and essays. Many days, I will read and read and read. Nothing good ever comes without hard work. Hard work builds character. And from my hard work, I will learn how to build characters.

I am very excited. I have never taken a class or a workshop on creative writing. I have never belonged to a critique group. Everything I know about story comes from what I’ve figured out on my own, and what I’ve learned in the past five years from about half a dozen craft books. I have much to learn.

I hope that you will join me on my journey. Passing through the gate is only the beginning. I have a long road to travel. But like a heroine on a quest, I will meet friends and companions to help me face the obstacles ahead. Together, we can defeat the villains of empty plot, one-dimensional characters, and confusing language. And in the end, may we, together, pass through the glass to the amazing world that lies beyond.